(Billboard) (11/18/03)

By Christopher Walsh

Edited By Michael Bennett

NEW YORK, NY - In spite of the album's title, it wouldn't have been right to "Let It Be," given the circumstances and outcome of the Beatles' January, 1969 recording project.

Several attempts by engineer Glyn Johns to complete an album to the band's satisfaction, and additional production by Phil Spector notwithstanding, the Beatles' penultimate full-group effort had never attained the original intent: a live, no-overdubs recording akin to their first album, "Please Please Me."

Twelve thousand, seven hundred thirty-seven days after they started, that intent will be heard today with the release of "Let It Be... Naked," a de-mixed and remixed version of the "Let It Be" album originally released in May, 1970.

Surviving Beatles Paul McCartney and Ringo Starr had no creative input on the project, nor did Beatles producer George Martin.

Instead, engineers Allan Rouse, Guy Massey and Paul Hicks, of Abbey Road Studios in London, were given complete freedom to craft the "Let It Be... Naked" de-mix and remix.

Starting from scratch with 33 reels of EMI tape, they spent much of 2002 creating a very pure, true Beatles album. Upbeat, punchy and full of life, the essence of the Beatles -- a four-piece rock 'n' roll combo without Spector's strings -- has been uncovered.

Takes chosen for "Let It Be... Naked," most of them the same as those on the 1970 release, were transferred from original 8-track masters to Pro Tools, Rouse says.

"There has been no noticeable deterioration," Rouse notes of the original multitracks, "and they did not suffer from any shedding of oxide during the transfer. All of the Beatles recordings are on EMI tape and have never given us any problems."

In the digital domain of Pro Tools and software-based processing equipment, the team was afforded the opportunity to mute or delete considerable extraneous noise.

In addition to the unusual conditions under which the original sessions took place -- a film crew surrounding the Beatles as they worked at Twickenham Film Studios -- four "Let It Be" songs were recorded during the band's last performance, on the roof of their Apple Corps offices in London on Jan. 30, 1969.

"Besides the usual noise associated with studio recordings -- i.e., vocal pops, amp noises and tape hiss -- the addition of a film crew created some problems," Rouse says. "Also, wind noise during the rooftop recordings" was eliminated.

"Let It Be ... Naked" was mixed in Abbey Road's Studio Three on a Solid State Logic 9000 J Series console. "We also utilized the echo chamber that we reopened for the 'Anthology' project," Rouse adds.

Though they disbanded in 1970, the Beatles, with a little help from recording technology, continue giving: The "Anthology" albums offered a pair of unique recordings reuniting McCartney, Starr and George Harrison with the late John Lennon, who was killed in 1980, through recordings Lennon had made.

With "Let It Be ... Naked," this star-crossed project is complete -- to the satisfaction, finally, of its surviving participants.

"Paul Hicks, Guy Massey and I worked on the album by ourselves," Rouse says. "When it was completed to our satisfaction, Apple sent CD-Rs to the Beatles for their comments and approval."

"We were expecting to make some alterations to the mixes and maybe even change the running order, which we had altered, but were very pleased when no such requests were made."

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