(RockAndMetal.com) (12/10/03)

By Michael Bennett

BOSTON, MA - Transplanted stateside Irish rockers RUBYHORSE have just finished their new album, "Goodbye To All That, which is due for release sometime in January on the band's own independent label, Horse Trade Records.

For RUBYHORSE, leaving their home of Cork City, Ireland for the then-uncharted city of Boston, Massachusetts was similar to letting go of a trapeze.

The risk was huge, but it was a risk that had to be taken. Arriving in Boston in 1997, they parlayed a combined $1,000 and a gig in the back room of an Irish pub into a rabid fan base and a record deal.

The proverbial blood, sweat and tears of that journey is palpable on their justly-titled previous album, "Rise."

Rewind to 1996, a meat processing plant on northside of Cork City. Five nights a week, the band would gather in a small, rented room to craft their songs.

Pieces of meat - chiefly, bacon - were flavored in adjacent rooms.

Lifting their name from a Wonderstuff song because it "suggested nothing... and could be the name of a really big band," RUBYHORSE is rock in its most genuine form, infused with a zest for life and a message of hope.

"Music is a very important part of the Irish culture," says Owen.

"Historically it has been both a commentary on life and a means of rising above it's hardships.

That's what we try to get across in our music. Life can be hard, but it's important for any form of art to find the beauty in it.

Onstage, we try to impart a feeling of being uplifted... our live show is all about moving the listener, giving them an escape.

But the songs are all based in reality, and looking at everyday experiences from different perspectives. That's what our music is about."

Jump back up to Boston.

The RUBYHORSE philosophy spread rapidly and the back room gig - at an Irish pub called The Burren - became an immensely popular Thursday night residency lasting over 60 weeks.

"The first week," says David, "we had four or five people there. By the end of it, people were arriving in the afternoon to get in."

The band released a CD -- the independent album "How Far Have You Come?," picked up three Boston Music Awards (for "Best Live Band," "Best New Act," and "Best Male Vocalist"), and embarked on a number of nationwide tours.

But it would be fervent grapevining from the Burren shows that would bring RUBYHORSE a deal and enable them to create "Rise."

Produced by Jay Joyce (Robert Bradley, John Hiatt, Patty Griffin) in his basement studio in Nashville, the album commenced with an echoing declaration on the pulsing rocker, 'Happy In The Sunshine.'

The ensuing ten tunes, which ranged from exhilarating power-pop anthems ('Sparkle,' 'Into the Lavender,' 'Bitter,' 'Horseless') to earnest ballads ('Any Day Now,' 'Live Through This,' 'PunchDrunk') and danceable fare ('Evergreen'), affirmed they were ready, and comfortable in any sonic context.

In fact, RUBYHORSE's innate ability to weave a perfect tune can be downright frightening.

Take, for instance the hit single, 'Sparkle,' which peaked at #17 on the American radio charts - it's chiming guitars and a rhapsodic chorus propel what Decky has called "a song about digging yourself out of one hole, and into another."

It was originally written as an ode to the persistence and dedication of the band members during one of their tougher times.

"Regardless of how bad you think things are," he says, "there's always a reason to see the day out."

'Any Day Now' waxed wistful and pleading over acoustic strumming and an orchestral wash: balladry done with sincerity and style.

Joe recalls, "When we left Ireland, we couldn't afford to get back for twelve months.

'Any Day Now' was about finding yourself in a situation that you feel like you're drowning and looking to the ones you love for strength and resolve because they believe in you, even though many people have written you off."

Another triumph was 'Into The Lavender,' which warns the listener to be careful what you wish for, as it may not make you happy:

"Into the lavender/she brings me down/when she's around/under the setting sun/we burned away/we jumped the gun."

'Punchdrunk,' RUBYHORSE's now-anthem, came with a resonant, humbling endorsement.

The Floydian ballad, a tapestry of acoustic guitar, elegant strings and piano, features a gorgeous, simply-stated slide part -- courtesy of the late George Harrison.

Joe speaks of 'Punchdrunk' with reverence: "When we had finished recording the song, we listened to it and it just felt there was something missing... some part.

We tried various instruments and it just wasn't right.

We sent him (George Harrison) a copy of the song through a mutual friend, and we got a call back to say that he loved the song and that he'd love to play on it. So we sent the reels over to a studio in England, and he put his part down.

We were mixing in Miami when we received the tapes back, and it just blew us all away. George finished off the song for us.

It was just a beautiful, beautiful part. It was the biggest honor that we've ever received and probably will EVER receive."

It goes to a sense of duty: RUBYHORSE are five men with music and all it's baptismal power ingrained in their essences.

They're compelled to make music and do so with fire.

Nothing is taken for granted; sincerity is held at a premium.

This is what endeared them to growing crowds at The Burren and will attract new fans with the release of "Goodbye To All That."

Explains Decky, "We write a message and we try to share that message with people. Our songs are about everyday simple things and they're written with honesty and they're performed with honesty.

People can just relate to them and there's nothing else in the world that can give us a fraction of the satisfaction we derive from that."

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